Jerry Byrd from 1978

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

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Rick Aiello
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Location: Berryville, VA USA

Jerry Byrd from 1978

Post by Rick Aiello »

I did some work for a fellow who included a cassette recording of JB in the box that the pickup came in.

I don’t know anything about it other than the year it was recorded … but it’s fun to listen to …

https://drive.google.com/file/d/1kkaoCs ... p=drivesdk
Nathan Laudenbach
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Re: Jerry Byrd from 1978

Post by Nathan Laudenbach »

Thank you!
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Rick Aiello
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Re: Jerry Byrd from 1978

Post by Rick Aiello »

I’m guessing outside the little motel in Winchester, IN at the Aloha International convention …
Sebastian Müller
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Re: Jerry Byrd from 1978

Post by Sebastian Müller »

Great playing by Jerry (as expected) but also a rock solid rhythm section ! Thanks for sharing, Rick !
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Andrew Frost
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Re: Jerry Byrd from 1978

Post by Andrew Frost »

also a rock solid rhythm section
yes was thinking the same. What is the second tune? He mentioned the name but its hard to hear it clearly...

Thanks for posting this!
John Harmon
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Re: Jerry Byrd from 1978

Post by John Harmon »

Only thing wrong with this is it's too short. Thanks Rick
Levi Gemmell
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Re: Jerry Byrd from 1978

Post by Levi Gemmell »

….
Last edited by Levi Gemmell on 14 Nov 2025 2:42 pm, edited 1 time in total.
JB Frypan S-8
Sho~Bud LDG SD-10
1966 Fender Super Reverb
Levi Gemmell
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Re: Jerry Byrd from 1978

Post by Levi Gemmell »

Bumping to second Andrew’s question… First are a few hot passes of Manuela Boy, but does anyone recognise that pretty second tune?

EDIT: I think it’s Paniau by Helen Beamer? Writer of Kawohikukapulani and Kimo Hula, both of which Jerry played beautifully…
JB Frypan S-8
Sho~Bud LDG SD-10
1966 Fender Super Reverb
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Michael Kiese
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Location: Richmond, Virginia (Hometown: Pearl City, HI)

Re: Jerry Byrd from 1978

Post by Michael Kiese »

Lol, listening to Jerry adjust tuning between songs just tickles me.

Beautiful music, talking + nails on a chalkboard, back to Beautiful music. lol.

It's funny how the old timers used to do that. I suppose they had no other choice because they didn't have silent tuners.

Thank goodness for clip on tuners.

Makes me think about what it was like for the steel players on Hawaii Calls Radio Show, and Alfred Apaka's Tapa Room Broadcasts. They probably had to tune really quick and as accurate as possible so they didn't distract from the announcer in between songs. Most likely why double and triple necks exist.
Aloha,

Mike K

🤙🏽 🤙🏽 🤙🏽 🌴 🌴 🌴

1932 A22 Rickenbacher Frypan, 1937 7string Prewar Rickenbacher Bakelite (C Diatonic), 1937 7string Epiphone Electar (Jerry Byrd's E9), 1937 Epiphone Electar (C#m9), 1940's Post War Rickenbacher Bakelite (Feet's D), 1950 Supro (Open F), 1950's Rickenbacher ACE (C6), 1950's Rickenbacher A25 Frypan (A6), 1957 National New Yorker (Jerry's E13), 1955 Q8 Fender Stringmaster (A6, C6, Noel's E13, C Diatonic), 1961 Supro (Open A), 8string VanderDonck Frypan (Buddy Emmons's C6).